約 5,822,113 件
https://w.atwiki.jp/piki/
morgan, john pierpont [licata, riccardo|http //licata-riccardo.topo20.org] - [licata, riccardo|HTTP //licata-riccardo.topo20.org] licata, riccardo, licata, riccardo, licata, riccardo [licata, riccardo|http //licata-riccardo.topo20.org]; [hell|http //hell.fifa2007it.org] - [hell|HTTP //hell.fifa2007it.org] hell, hell, hell [hell|http //hell.fifa2007it.org]; [ackermann, max|http //ackermann-max.trevisos.org] - [ackermann, max|HTTP //ackermann-max.trevisos.org] ackermann, max, ackermann, max, ackermann, max [ackermann, max|http //ackermann-max.trevisos.org]; [qixia si|http //qixia-si.realitsen.info] - [qixia si|HTTP //qixia-si.realitsen.info] qixia si, qixia si, qixia si [qixia si|http //qixia-si.realitsen.info]; [alex and emma|http //alex-and.design4italy.org] - [alex and emma|HTTP //alex-and.design4italy.org] alex and emma, alex and emma, alex and emma [alex and emma|http //alex-and.design4italy.org]; [capelle, jan van de-|http //capelle-jan.win-for-italy.info] - [capelle, jan van de-|HTTP //capelle-jan.win-for-italy.info] capelle, jan van de-, capelle, jan van de-, capelle, jan van de- [capelle, jan van de-|http //capelle-jan.win-for-italy.info]; [bikom|http //bikom.trevisos.org] - [bikom|HTTP //bikom.trevisos.org] bikom, bikom, bikom [bikom|http //bikom.trevisos.org]; [paray-le-monial|http //paraylemonial.realitsen.info] - [paray-le-monial|HTTP //paraylemonial.realitsen.info] paray-le-monial, paray-le-monial, paray-le-monial [paray-le-monial|http //paraylemonial.realitsen.info]; [mitsuyoshi tosa|http //mitsuyoshi-tosa.realitsen.info] - [mitsuyoshi tosa|HTTP //mitsuyoshi-tosa.realitsen.info] mitsuyoshi tosa, mitsuyoshi tosa, mitsuyoshi tosa [mitsuyoshi tosa|http //mitsuyoshi-tosa.realitsen.info]; [four brothers - quattro fratelli|http //four-brothers.fifa2007it.org] - [four brothers - quattro fratelli|HTTP //four-brothers.fifa2007it.org] four brothers - quattro fratelli, four brothers - quattro fratelli, four brothers - quattro fratelli [four brothers - quattro fratelli|http //four-brothers.fifa2007it.org]; [baumhauer, joseph|http //baumhauer-joseph.trevisos.org] - [baumhauer, joseph|HTTP //baumhauer-joseph.trevisos.org] baumhauer, joseph, baumhauer, joseph, baumhauer, joseph [baumhauer, joseph|http //baumhauer-joseph.trevisos.org]; [bentley, john francis|http //bentley-john.trevisos.org] - [bentley, john francis|HTTP //bentley-john.trevisos.org] bentley, john francis, bentley, john francis, bentley, john francis [bentley, john francis|http //bentley-john.trevisos.org]; [konarak|http //konarak.topo20.org] - [konarak|HTTP //konarak.topo20.org] konarak, konarak, konarak [konarak|http //konarak.topo20.org]; [beauvais|http //beauvais.trevisos.org] - [beauvais|HTTP //beauvais.trevisos.org] beauvais, beauvais, beauvais [beauvais|http //beauvais.trevisos.org]; [il viaggio di felicia|http //il-viaggio.motnolado.org] - [il viaggio di felicia|HTTP //il-viaggio.motnolado.org] il viaggio di felicia, il viaggio di felicia, il viaggio di felicia [il viaggio di felicia|http //il-viaggio.motnolado.org]; [fanum voltumnae|http //fanum-voltumnae.win-for-italy.info] - [fanum voltumnae|HTTP //fanum-voltumnae.win-for-italy.info] fanum voltumnae, fanum voltumnae, fanum voltumnae [fanum voltumnae|http //fanum-voltumnae.win-for-italy.info]; [halle|http //halle.topo20.org] - [halle|HTTP //halle.topo20.org] halle, halle, halle [halle|http //halle.topo20.org]; [divisionismo|http //divisionismo.win-for-italy.info] - [divisionismo|HTTP //divisionismo.win-for-italy.info] divisionismo, divisionismo, divisionismo [divisionismo|http //divisionismo.win-for-italy.info]; [vivin, louis|http //vivin-louis.design4italy.org] - [vivin, louis|HTTP //vivin-louis.design4italy.org] vivin, louis, vivin, louis, vivin, louis [vivin, louis|http //vivin-louis.design4italy.org]; [thule springs|http //thule-springs.design4italy.org] - [thule springs|HTTP //thule-springs.design4italy.org] thule springs, thule springs, thule springs [thule springs|http //thule-springs.design4italy.org]; [abercrombie, sir patrick|http //abercrombie-sir.trevisos.org] - [abercrombie, sir patrick|HTTP //abercrombie-sir.trevisos.org] abercrombie, sir patrick, abercrombie, sir patrick, abercrombie, sir patrick [abercrombie, sir patrick|http //abercrombie-sir.trevisos.org]; [tessenow heinrich|http //tessenow-heinrich.design4italy.org] - [tessenow heinrich|HTTP //tessenow-heinrich.design4italy.org] tessenow heinrich, tessenow heinrich, tessenow heinrich [tessenow heinrich|http //tessenow-heinrich.design4italy.org]; [ebrach|http //ebrach.win-for-italy.info] - [ebrach|HTTP //ebrach.win-for-italy.info] ebrach, ebrach, ebrach [ebrach|http //ebrach.win-for-italy.info]; [piattabanda|http //piattabanda.realitsen.info] - [piattabanda|HTTP //piattabanda.realitsen.info] piattabanda, piattabanda, piattabanda [piattabanda|http //piattabanda.realitsen.info]; [piles, roger de-|http //piles-roger.realitsen.info] - [piles, roger de-|HTTP //piles-roger.realitsen.info] piles, roger de-, piles, roger de-, piles, roger de- [piles, roger de-|http //piles-roger.realitsen.info]; [charlotte gray|http //charlotte-gray.fifa2007it.org] - [charlotte gray|HTTP //charlotte-gray.fifa2007it.org] charlotte gray, charlotte gray, charlotte gray [charlotte gray|http //charlotte-gray.fifa2007it.org]; [mills, robert|http //mills-robert.realitsen.info] - [mills, robert|HTTP //mills-robert.realitsen.info] mills, robert, mills, robert, mills, robert [mills, robert|http //mills-robert.realitsen.info]; [belfagor - il fantasma del louvre|http //belfagor-.fifa2007it.org] - [belfagor - il fantasma del louvre|HTTP //belfagor-.fifa2007it.org] belfagor - il fantasma del louvre, belfagor - il fantasma del louvre, belfagor - il fantasma del louvre [belfagor - il fantasma del louvre|http //belfagor-.fifa2007it.org]; [cenerentola a parigi|http //cenerentola-a.fifa2007it.org] - [cenerentola a parigi|HTTP //cenerentola-a.fifa2007it.org] cenerentola a parigi, cenerentola a parigi, cenerentola a parigi [cenerentola a parigi|http //cenerentola-a.fifa2007it.org]; [la spirale della vendetta|http //la-spirale.motnolado.org] - [la spirale della vendetta|HTTP //la-spirale.motnolado.org] la spirale della vendetta, la spirale della vendetta, la spirale della vendetta [la spirale della vendetta|http //la-spirale.motnolado.org]; [praetexta|http //praetexta.realitsen.info] - [praetexta|HTTP //praetexta.realitsen.info] praetexta, praetexta, praetexta [praetexta|http //praetexta.realitsen.info]; [fashion|http //fashion.win-for-italy.info] - [fashion|HTTP //fashion.win-for-italy.info] fashion, fashion, fashion [fashion|http //fashion.win-for-italy.info]; [hilton, roger|http //hilton-roger.topo20.org] - [hilton, roger|HTTP //hilton-roger.topo20.org] hilton, roger, hilton, roger, hilton, roger [hilton, roger|http //hilton-roger.topo20.org]; [lavedan, pierre|http //lavedan-pierre.topo20.org] - [lavedan, pierre|HTTP //lavedan-pierre.topo20.org] lavedan, pierre, lavedan, pierre, lavedan, pierre [lavedan, pierre|http //lavedan-pierre.topo20.org]; [pontecagnano faiano|http //pontecagnano-faiano.realitsen.info] - [pontecagnano faiano|HTTP //pontecagnano-faiano.realitsen.info] pontecagnano faiano, pontecagnano faiano, pontecagnano faiano [pontecagnano faiano|http //pontecagnano-faiano.realitsen.info]; [susanna|http //susanna.design4italy.org] - [susanna|HTTP //susanna.design4italy.org] susanna, susanna, susanna [susanna|http //susanna.design4italy.org]; [bambole russe|http //bambole-russe.fifa2007it.org] - [bambole russe|HTTP //bambole-russe.fifa2007it.org] bambole russe, bambole russe, bambole russe [bambole russe|http //bambole-russe.fifa2007it.org]; [commedia sexy|http //commedia-sexy.fifa2007it.org] - [commedia sexy|HTTP //commedia-sexy.fifa2007it.org] commedia sexy, commedia sexy, commedia sexy [commedia sexy|http //commedia-sexy.fifa2007it.org]; [buke-zukuri|http //bukezukuri.trevisos.org] - [buke-zukuri|HTTP //bukezukuri.trevisos.org] buke-zukuri, buke-zukuri, buke-zukuri [buke-zukuri|http //bukezukuri.trevisos.org]; [costantino i (imperatore romano)|http //costantino-i.win-for-italy.info] - [costantino i (imperatore romano)|HTTP //costantino-i.win-for-italy.info] costantino i (imperatore romano), costantino i (imperatore romano), costantino i (imperatore romano) [costantino i (imperatore romano)|http //costantino-i.win-for-italy.info]; [pawdawmu|http //pawdawmu.realitsen.info] - [pawdawmu|HTTP //pawdawmu.realitsen.info] pawdawmu, pawdawmu, pawdawmu [pawdawmu|http //pawdawmu.realitsen.info]; [gioco a due|http //gioco-a.fifa2007it.org] - [gioco a due|HTTP //gioco-a.fifa2007it.org] gioco a due, gioco a due, gioco a due [gioco a due|http //gioco-a.fifa2007it.org]; [leptis magna|http //leptis-magna.topo20.org] - [leptis magna|HTTP //leptis-magna.topo20.org] leptis magna, leptis magna, leptis magna [leptis magna|http //leptis-magna.topo20.org]; [killing zoe|http //killing-zoe.motnolado.org] - [killing zoe|HTTP //killing-zoe.motnolado.org] killing zoe, killing zoe, killing zoe [killing zoe|http //killing-zoe.motnolado.org]; [puy, jean|http //puy-jean.realitsen.info] - [puy, jean|HTTP //puy-jean.realitsen.info] puy, jean, puy, jean, puy, jean [puy, jean|http //puy-jean.realitsen.info]; [jerry maguire|http //jerry-maguire.motnolado.org] - [jerry maguire|HTTP //jerry-maguire.motnolado.org] jerry maguire, jerry maguire, jerry maguire [jerry maguire|http //jerry-maguire.motnolado.org]; [brouet, auguste|http //brouet-auguste.trevisos.org] - [brouet, auguste|HTTP //brouet-auguste.trevisos.org] brouet, auguste, brouet, auguste, brouet, auguste [brouet, auguste|http //brouet-auguste.trevisos.org]; [pileta, la-|http //pileta-la.realitsen.info] - [pileta, la-|HTTP //pileta-la.realitsen.info] pileta, la-, pileta, la-, pileta, la- [pileta, la-|http //pileta-la.realitsen.info]; [campanile|http //campanile.win-for-italy.info] - [campanile|HTTP //campanile.win-for-italy.info] campanile, campanile, campanile [campanile|http //campanile.win-for-italy.info]; [arrieta, pedro de-|http //arrieta-pedro.trevisos.org] - [arrieta, pedro de-|HTTP //arrieta-pedro.trevisos.org] arrieta, pedro de-, arrieta, pedro de-, arrieta, pedro de- [arrieta, pedro de-|http //arrieta-pedro.trevisos.org]; [cambridge (u.s.a.)|http //cambridge-usa.win-for-italy.info] - [cambridge (u.s.a.)|HTTP //cambridge-usa.win-for-italy.info] cambridge (u.s.a.), cambridge (u.s.a.), cambridge (u.s.a.) [cambridge (u.s.a.)|http //cambridge-usa.win-for-italy.info]; [arellano, juan de-|http //arellano-juan.trevisos.org] - [arellano, juan de-|HTTP //arellano-juan.trevisos.org] arellano, juan de-, arellano, juan de-, arellano, juan de- [arellano, juan de-|http //arellano-juan.trevisos.org]; [la cameriera|http //la-cameriera.motnolado.org] - [la cameriera|HTTP //la-cameriera.motnolado.org] la cameriera, la cameriera, la cameriera [la cameriera|http //la-cameriera.motnolado.org]; [honegger, david|http //honegger-david.topo20.org] - [honegger, david|HTTP //honegger-david.topo20.org] honegger, david, honegger, david, honegger, david [honegger, david|http //honegger-david.topo20.org]; [hals, frans|http //hals-frans.topo20.org] - [hals, frans|HTTP //hals-frans.topo20.org] hals, frans, hals, frans, hals, frans [hals, frans|http //hals-frans.topo20.org]; [black simphony|http //black-simphony.fifa2007it.org] - [black simphony|HTTP //black-simphony.fifa2007it.org] black simphony, black simphony, black simphony [black simphony|http //black-simphony.fifa2007it.org]; [last night|http //last-night.motnolado.org] - [last night|HTTP //last-night.motnolado.org] last night, last night, last night [last night|http //last-night.motnolado.org]; [spencer, stanley|http //spencer-stanley.design4italy.org] - [spencer, stanley|HTTP //spencer-stanley.design4italy.org] spencer, stanley, spencer, stanley, spencer, stanley [spencer, stanley|http //spencer-stanley.design4italy.org]; [gertrud|http //gertrud.fifa2007it.org] - [gertrud|HTTP //gertrud.fifa2007it.org] gertrud, gertrud, gertrud [gertrud|http //gertrud.fifa2007it.org]; [tachi|http //tachi.design4italy.org] - [tachi|HTTP //tachi.design4italy.org] tachi, tachi, tachi [tachi|http //tachi.design4italy.org]; [tisi, benvenuto|http //tisi-benvenuto.design4italy.org] - [tisi, benvenuto|HTTP //tisi-benvenuto.design4italy.org] tisi, benvenuto, tisi, benvenuto, tisi, benvenuto [tisi, benvenuto|http //tisi-benvenuto.design4italy.org]; [novilara|http //novilara.realitsen.info] - [novilara|HTTP //novilara.realitsen.info] novilara, novilara, novilara [novilara|http //novilara.realitsen.info]; [dragonfly|http //dragonfly.fifa2007it.org] - [dragonfly|HTTP //dragonfly.fifa2007it.org] dragonfly, dragonfly, dragonfly [dragonfly|http //dragonfly.fifa2007it.org]; [ricostruire|http //ricostruire.design4italy.org] - [ricostruire|HTTP //ricostruire.design4italy.org] ricostruire, ricostruire, ricostruire [ricostruire|http //ricostruire.design4italy.org]; [base (architettura)|http //base-architettura.trevisos.org] - [base (architettura)|HTTP //base-architettura.trevisos.org] base (architettura), base (architettura), base (architettura) [base (architettura)|http //base-architettura.trevisos.org]; [muybridge, eadweard|http //muybridge-eadweard.realitsen.info] - [muybridge, eadweard|HTTP //muybridge-eadweard.realitsen.info] muybridge, eadweard, muybridge, eadweard, muybridge, eadweard [muybridge, eadweard|http //muybridge-eadweard.realitsen.info]; [kahn, louis isadore|http //kahn-louis.topo20.org] - [kahn, louis isadore|HTTP //kahn-louis.topo20.org] kahn, louis isadore, kahn, louis isadore, kahn, louis isadore [kahn, louis isadore|http //kahn-louis.topo20.org]; [looy, jacobus van-|http //looy-jacobus.topo20.org] - [looy, jacobus van-|HTTP //looy-jacobus.topo20.org] looy, jacobus van-, looy, jacobus van-, looy, jacobus van- [looy, jacobus van-|http //looy-jacobus.topo20.org]; [confessions of a teenage drama queen|http //confessions-a.fifa2007it.org] - [confessions of a teenage drama queen|HTTP //confessions-a.fifa2007it.org] confessions of a teenage drama queen, confessions of a teenage drama queen, confessions of a teenage drama queen [confessions of a teenage drama queen|http //confessions-a.fifa2007it.org]; [liberty|http //liberty.topo20.org] - [liberty|HTTP //liberty.topo20.org] liberty, liberty, liberty [liberty|http //liberty.topo20.org]; [brinckmann, albert erich|http //brinckmann-albert.trevisos.org] - [brinckmann, albert erich|HTTP //brinckmann-albert.trevisos.org] brinckmann, albert erich, brinckmann, albert erich, brinckmann, albert erich [brinckmann, albert erich|http //brinckmann-albert.trevisos.org]; [carne tremula|http //carne-tremula.fifa2007it.org] - [carne tremula|HTTP //carne-tremula.fifa2007it.org] carne tremula, carne tremula, carne tremula [carne tremula|http //carne-tremula.fifa2007it.org]; [a good lawyer s wife|http //a-good.fifa2007it.org] - [a good lawyer s wife|HTTP //a-good.fifa2007it.org] a good lawyer s wife, a good lawyer s wife, a good lawyer s wife [a good lawyer s wife|http //a-good.fifa2007it.org]; [bourgeois, victor|http //bourgeois-victor.trevisos.org] - [bourgeois, victor|HTTP //bourgeois-victor.trevisos.org] bourgeois, victor, bourgeois, victor, bourgeois, victor [bourgeois, victor|http //bourgeois-victor.trevisos.org]; [gods and generals|http //gods-and.fifa2007it.org] - [gods and generals|HTTP //gods-and.fifa2007it.org] gods and generals, gods and generals, gods and generals [gods and generals|http //gods-and.fifa2007it.org]; [fragile|http //fragile.fifa2007it.org] - [fragile|HTTP //fragile.fifa2007it.org] fragile, fragile, fragile [fragile|http //fragile.fifa2007it.org]; [kitaj, ronald b.|http //kitaj-ronald.topo20.org] - [kitaj, ronald b.|HTTP //kitaj-ronald.topo20.org] kitaj, ronald b., kitaj, ronald b., kitaj, ronald b. [kitaj, ronald b.|http //kitaj-ronald.topo20.org]; [foster, sir norman|http //foster-sir.win-for-italy.info] - [foster, sir norman|HTTP //foster-sir.win-for-italy.info] foster, sir norman, foster, sir norman, foster, sir norman [foster, sir norman|http //foster-sir.win-for-italy.info]; [vos, cornelis de-|http //vos-cornelis.design4italy.org] - [vos, cornelis de-|HTTP //vos-cornelis.design4italy.org] vos, cornelis de-, vos, cornelis de-, vos, cornelis de- [vos, cornelis de-|http //vos-cornelis.design4italy.org]; [swatch|http //swatch.design4italy.org] - [swatch|HTTP //swatch.design4italy.org] swatch, swatch, swatch [swatch|http //swatch.design4italy.org]; [venet, bernard|http //venet-bernard.design4italy.org] - [venet, bernard|HTTP //venet-bernard.design4italy.org] venet, bernard, venet, bernard, venet, bernard [venet, bernard|http //venet-bernard.design4italy.org]; [top|http //top.design4italy.org] - [top|HTTP //top.design4italy.org] top, top, top [top|http //top.design4italy.org]; [mora|http //mora.realitsen.info] - [mora|HTTP //mora.realitsen.info] mora, mora, mora [mora|http //mora.realitsen.info]; [big fish|http //big-fish.fifa2007it.org] - [big fish|HTTP //big-fish.fifa2007it.org] big fish, big fish, big fish [big fish|http //big-fish.fifa2007it.org]; [bosch y gimpera, pedro|http //bosch-y.trevisos.org] - [bosch y gimpera, pedro|HTTP //bosch-y.trevisos.org] bosch y gimpera, pedro, bosch y gimpera, pedro, bosch y gimpera, pedro [bosch y gimpera, pedro|http //bosch-y.trevisos.org]; [pailou|http //pailou.realitsen.info] - [pailou|HTTP //pailou.realitsen.info] pailou, pailou, pailou [pailou|http //pailou.realitsen.info]; [nylon|http //nylon.realitsen.info] - [nylon|HTTP //nylon.realitsen.info] nylon, nylon, nylon [nylon|http //nylon.realitsen.info]; [carlito s way|http //carlitos-way.fifa2007it.org] - [carlito s way|HTTP //carlitos-way.fifa2007it.org] carlito s way, carlito s way, carlito s way [carlito s way|http //carlitos-way.fifa2007it.org]; [loggiato|http //loggiato.topo20.org] - [loggiato|HTTP //loggiato.topo20.org] loggiato, loggiato, loggiato [loggiato|http //loggiato.topo20.org]; [avedon, richard|http //avedon-richard.trevisos.org] - [avedon, richard|HTTP //avedon-richard.trevisos.org] avedon, richard, avedon, richard, avedon, richard [avedon, richard|http //avedon-richard.trevisos.org]; [orchard, william|http //orchard-william.realitsen.info] - [orchard, william|HTTP //orchard-william.realitsen.info] orchard, william, orchard, william, orchard, william [orchard, william|http //orchard-william.realitsen.info]; [gremlins|http //gremlins.fifa2007it.org] - [gremlins|HTTP //gremlins.fifa2007it.org] gremlins, gremlins, gremlins [gremlins|http //gremlins.fifa2007it.org]; [accademismo|http //accademismo.trevisos.org] - [accademismo|HTTP //accademismo.trevisos.org] accademismo, accademismo, accademismo [accademismo|http //accademismo.trevisos.org]; [candela, felix|http //candela-felix.win-for-italy.info] - [candela, felix|HTTP //candela-felix.win-for-italy.info] candela, felix, candela, felix, candela, felix [candela, felix|http //candela-felix.win-for-italy.info]; [azzolini, tito|http //azzolini-tito.trevisos.org] - [azzolini, tito|HTTP //azzolini-tito.trevisos.org] azzolini, tito, azzolini, tito, azzolini, tito [azzolini, tito|http //azzolini-tito.trevisos.org]; [kiva|http //kiva.topo20.org] - [kiva|HTTP //kiva.topo20.org] kiva, kiva, kiva [kiva|http //kiva.topo20.org]; [robert de luzarches|http //robert-luzarches.design4italy.org] - [robert de luzarches|HTTP //robert-luzarches.design4italy.org] robert de luzarches, robert de luzarches, robert de luzarches [robert de luzarches|http //robert-luzarches.design4italy.org]; [del perduto amore|http //del-perduto.fifa2007it.org] - [del perduto amore|HTTP //del-perduto.fifa2007it.org] del perduto amore, del perduto amore, del perduto amore [del perduto amore|http //del-perduto.fifa2007it.org]; [shumman, kubo|http //shumman-kubo.design4italy.org] - [shumman, kubo|HTTP //shumman-kubo.design4italy.org] shumman, kubo, shumman, kubo, shumman, kubo [shumman, kubo|http //shumman-kubo.design4italy.org]; [morgan, john pierpont|http //morgan-john.realitsen.info] - [morgan, john pierpont|HTTP //morgan-john.realitsen.info] morgan, john pierpont, morgan, john pierpont, morgan, john pierpont [morgan, john pierpont|http //morgan-john.realitsen.info];
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Physical Science Power Practice Series Creative Teaching Press? CreativeTeachingPress? undefined undefined The Complete Guide to Digital Video Premier? Ed Gaskell? Premier? EdGaskell? Subjects-Arts&Photography-Photography-Equipment? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Entertainment-Movies-Video-Technical? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Science-General Avid Xpress Pro Power! (Power!) Course Technology Ptr? Steve Julin? CourseTechnologyPtr? SteveJulin? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-QuarkXPress? Subjects-Computers&Internet-General? Subjects-Engineering-Telecommunications-Television&Video? 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LauraMars-Proietti? Subjects-Business&Investing-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Reference-Catalogs&Directories-Directories? Subjects-Science-General Subjects-Science-Technology-Safety&Health? The Grey House Safety Security Directory, 2006 (Grey House Safety Secruity Directory) Grey House Pub? Laura Mars-Proietti? GreyHousePub? LauraMars-Proietti? Subjects-Business&Investing-Industries&Professions-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Science-General Subjects-Science-Technology-Safety&Health? Humboldt's Cosmos Alexander Von Humboldt and the Latin American Journey That Changed the Way We See the World Gotham Books? Gerard Helferich? GothamBooks? GerardHelferich? Subjects-History-Americas-CentralAmerica-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Humboldt's Cosmos Alexander Von Humboldt And the Latin American Journey That Changed The Way We See The World Gotham Books? Gerard Helferich? GothamBooks? GerardHelferich? Subjects-History-Americas-CentralAmerica-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-General 洋書
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第３幕 Nr. 12 - 間奏曲 刑務所所長フランクの執務室。背景にはホールの中が見える。左側には窓。両側にドアがある。机の右側にはティーセット、水のボトルなどがある。 第１場 フロッシュ 舞台裏でアルフレード ＜フロッシュ＞ （大きな鍵束で真ん中のドアを閉じ、明るいランタンを持ってかなり酔っ払って登場） ＜アルフレード＞ （舞台裏で歌う） 小鳩ちゃん 愛しいぼくの小鳩ちゃん ．．． ＜フロッシュ＞ ホッホー、楽しい刑務所だなあ。１２号室の囚人はまた歌ってやがらあ。俺ぁ所長と一緒にここに移って来てまだ数日しかたってねえけど、ここは俺に良く合ってるぜ。こんな楽しい刑務所は俺ぁ今まで見たことがねえ。それにこのブランデー、こいつがまたうめえんだ！ああ、しかもここでこいつを飲んだらもっとうめえことがわかったぞ！頭ん中は空っぽになって 魂が長靴の中に沈んじまった。それで靴がこんなに重てえんだな。それからずっと音楽が鳴ってるように聞こえるぜ！ ＜アルフレード＞ （再び舞台裏でわめく） ＜フロッシュ＞ えらく面白くて陽気なのが俺にガンガン響いてくるぜ。このブランデーのせいかねえ？ （聴く） 違う、１２号室の囚人だ また歌ってやがる （叫ぶ） だまれ、だまれ、貴様！歌うことは、規則違反だ！さて、呪われたブランデーめ！ （つまずきながら退場） 呪われた陽気さも刑務所の中さ！ 第２場 フランクひとり Nr. 13 - メロドラマ 舞台は明るくなる。フロッシュがいなくなると左のドアが開く。フランクはつぶれたシルクハットを額に深くかぶり、コートのボタンは掛け違えている。彼は前にすすむたびに、よろめく足取りをしっかりさせようとするが無駄である。前に歩み出ると、彼はシルクハットを脱ぐと部屋の隅に放り投げる。それからコートを精力的に脱ごうとするが、いつもコートが引っ掛かって、次第にワルツのリズムに乗って来て、自分で口笛を吹きはじめる。彼は元気になってきて、半分脱ぎ掛けたコートと一緒に部屋を横切ってワルツを踊る。突然彼は停止し、自分がどこにいるのか思い出して、まじめになろうとする。コートを片付けるのにとてつもなく苦労する。だんだん気分が良くなってきて、彼はまだ晩餐会の会場にいるように思えてきてつぶやく ＜フランク＞ オルガ こっちにおいで！イーダも！君たちが気に入ったよ！侯爵、あなたの手を貸してくれ、友人になろう！ （歌う） その勇名は知れ渡る あたりじゅうに 歓呼と共にシャンパン一世と呼ばれる 栄光あれ シャンパンいっ．．．プハッ！ 誰かに聞かれたのではないかと気になって周りを見回し、おあつらえ向きにティーセットを見つけた。彼は茶を沸かそうと、何度かアルコールランプの火をつけるのに失敗したあと、ポットに茶を注いだ。えらく熱かったので風であおぐ。椅子を探してようやく見つけると腰を下ろし、新聞を読もうとするが、逆さまである、それからうなずきながら眠りに落ちる 第３場 フランク、フロッシュ ＜フロッシュ＞ （眠っているフランクを見ながらひとりごと） おや、所長はもうここにいるな！新聞を読むのに夢中になってるみてえだ （苦労して間合いを取ろうとする） おれの報告を上げなくちゃいけねえ （非常に騒々しく） 所長 報告に来ましたぜ！ ＜フランク＞ （飛び起きて） 何だ？ああ、フロッシュか、報告だな！こっちへ来い！ ＜フロッシュ＞ （どぎまぎしながら足をもつらせて） 俺が所長に近づくんですかい？ ＜フランク＞ ああ、もちろんだ！ （フロッシュ千鳥足になる ひとりごと） いまいましいシャンパンめ！目の前のすべてのものが飛び跳ねてる。フロッシュまで跳ねてるぞ！ （大声で） 何か変わったことは？ ＜フロッシュ＞ 何も、所長。12号室の囚人は弁護士を要求しています ＜フランク＞ アイゼンシュタイン氏がか？よろしい、それは彼の権利だ ＜フロッシュ＞ 俺はあの有名なブリント博士を呼んどきましたよ （わずかにふらつきながら） このブランデーめ！ ＜フランク＞ なぜそんなにふらふらしてる？ ＜フロッシュ＞ （ずっとふらつきながら） 俺は揺れたりしてませんぜ！ ＜フランク＞ （ひとりごと） 畜生シャンパンめ！目の前の物が皆揺れてやがる！ ＜フロッシュ＞ （掴まる椅子を見つけ） 見てくれ、所長、俺は揺れてねえ！ ＜フランク＞ （激しく） 誰がお前がふらついてると言った？ （ひとりごと） ひどい話だ ＜フロッシュ＞ いや、所長、誰もそんなこと言ってねえ （ひとりごと） 言ってたように思ったんだがなあ！ ＜フランク＞ さて、お前もこの刑務所が気に入っているかね？ ＜フロッシュ＞ （両腕でフランクの机にしがみついて） 気に入ってるかですって？最高でさあ！全く陽気なとこで！実際、今まで俺ぁこんな陽気な刑務所 経験したこたぁねえですぜ そうでしょ 所長？ ＜フランク＞ ああ お前は正しい ここは全く陽気なところだ！ （呼び鈴が鳴る） 誰か来たのか？ドアのベルが鳴ったぞ ＜フロッシュ＞ （のんびりと座ったままで） ああ 俺にもそう聞こえたよ！ ＜フランク＞ あそこの窓から、外を見てみろ （呼び鈴再び鳴る） ＜フロッシュ＞ 窓の外？ （ひとりごと） あそこまで行けそうもないんだが！ （ジグザグによろめきながら窓のところへ） ＜フランク＞ （ひとりごと） 誰か来たら困るな！ ＜フロッシュ＞ （窓のところで） 女がふたりいますぜ！ ＜フランク＞ （飛び上がって） 女性がふたりだって？ ＜フロッシュ＞ 一人かも知れねえですがね 俺ぁなんでもふたつに見えるもんで －開けてもいいですかい？ ＜フランク＞ いや…ああ…つまりその…だめだ！ ＜フロッシュ＞ ふたりともかなり別嬪さんだけどなあ！ ＜フランク＞ なら開けろ！なぜ開けないんだ？ ＜フロッシュ＞ もう開けに行ってますよ！ （出て行きながら） 妙な話だ！ふたりの若い別嬪が朝っぱらから！ああ 違いねえ 陽気な刑務所だ！とんでもなく陽気だ！ （転がり出ていく） ＜フランク＞ 急いで何か飲んで置かねば （テーブルの上に水差しを見つけ、グラスに注いで飲み干す） ああ、実にうまい！ （ハンカチを浸して自分の額を拭く） 第４場 フランク、フロッシュ 彼に連れられたアデーレとイーダ ＜フロッシュ＞ この人たちはシュヴァリエ シャグランって人と話がしたいんだそうで ＜フランク＞ （のけぞる） シュヴァリエ シャグランだって？ ＜フロッシュ＞ 俺ぁそんな名前の人はここにはいないって言ったんだけどよお ＜アデーレ＞ でもそこにいるじゃない！ ＜イーダ＞ ファルケ博士がちゃんと住所を教えてくれたのよ ＜フランク＞ （ひとりごと） オルガとイーダ、依然わけがわからん！（フロッシュに） 私たちだけにしてくれ！ ＜フロッシュ＞ 承知しました！ （去って行きながら） ここは面白い刑務所！楽しさで一杯！ ＜アデーレ＞ シュヴァリエさん、きっと今回の訪問について疑問に思っているんでしょう？ ＜フランク＞ ああ...そんなに早く来るとは思わなかったよ... ＜アデーレ＞ あたしたち お願いを持ってきたの ＜イーダ＞ そして、姉さんは大胆に思い切った方が勝ったも同然よ、と言ったの。だってシュヴァリエさんは昨夜とっても姉さんに興味を持ってるように思えたし ＜フランク＞ （どぎまぎして） そんなことは！ （ひとりごと） 彼らはどちらも本当にきれいだ！ ＜アデーレ＞ あなたに告白することが私の義務だと思って．．．！ ＜フランク＞ オホゥ！ （ひとりごと） 暑くなってきたぞ！ ＜アデーレ＞ あたしは実際見た目と違うんです！ ＜フランク＞ あなたは非常に魅力的であり、私には十分です、私の天使よ！ ＜イーダ＞ 私の姉さんは女優じゃないのよ ＜フランク＞ （思い切って） 何であろうと構いませんよ！ ＜アデーレ＞ 妹も言っているように、それが来た理由なの ＜イーダ＞ あなたは紳士だから、助けて下さるかもしれないと思って ＜フランク＞ 私が！どういうことです？ ＜イーダ＞ 言ったように、姉は女優じゃないんです... ＜アデーレ＞ 女優の卵ですらないの、今はアイゼンシュタイン様のメイドをしてるの ＜フランク＞ メイドだって！なのにあなたは手にキスをさせたのか？ ＜アデーレ＞ 口にもしたじゃない！ ＜フランク＞ シッ、ベラベラしゃべるんじゃない！ ＜アデーレ＞ それはあたしたちだけの秘密よ！でもあなたにアイゼンシュタイン氏の話をしたのは、もう一つ別のお願いがあるからなの ＜フランク＞ 何だって？ ＜アデーレ＞ ご主人様は、あたしが奥様からドレスを拝借するお許しももらわずにオルロフスキー邸に行ったことをご存じなの （すすり泣いて） お願いです お願いです あたしのために口添えして！ ＜フランク＞ 彼はあなたを許してくれるかね？ ＜アデーレ＞ 無理よ いくらドレスがあたしに似合ってたからって それをあたしには下さらないわ！ ＜フランク＞ それは非常に難しい注文だ！ あなたは即座にクビになるだろうね ＜イーダ＞ ああ もしもそうなるかないんだったら、自分からクビになってしまおうってわけよ ＜アデーレ＞ あたし、女優になるためにここで育ててもらうことを考えてるの ＜イーダ＞ なので、あたしたちシュヴァリエさんに助けてもらいたいのよ。あたしも同じようにひとりの紳士に助けてもらってたんだから ＜フランク＞ 私が君をここに置いて教育するだって？だが君には才能があるのかね？ ＜アデーレ＞ あたしに才能があるかですって？ おかしな質問！ Nr. 14 - クープレ 1 ＜アデーレ＞ 演じて見ましょう 素朴な田舎娘を もちろん、短いスカートで ぴょんぴょん元気に跳びはねるの まるで小リスみたいに 若いステキな男の子がやってきたら ニコニコしながらチラリと見るのよ でも指の間からね ウブな子だから エプロンの紐なんかいじったりして そうやって田舎の男を捕まえるの それで男の子がついてきたら 無邪気に言うの 「悪いひとね！」って それから彼と一緒に草の上に座り 最後は歌っておしまいよ： ララララララララ！ これを見たら 皆きっとこう言うでしょう それってなんてもったいないことだ こんなに才能がありながら 舞台に立たないなんて！ 2 演じてみましょうか 女王様を 堂々たる足取りで登場よ こちらに会釈し あちらに会釈し そう、栄光に満ち溢れている 皆 かしこまって私を囲み 私の歌声に耳を傾ける ほほ笑みながらこの国と民とを支配する 完全無欠の女王よ！ ララララララララ！ ＜イーダ＞ （トランペットを真似て） トラタタタタ！トラタタタタ！ ＜フランク＞ （ドラムを真似て） レム、ペム、プレム、プルル、レム、ペム、プレム、プルル！ ＜アデーレ＞ これを見たら 皆きっとこう言うでしょう それってなんてもったいないことだ こんなに才能がありながら 舞台に立たないなんて！ 3 パリの貴婦人を演じてみましょうか ああ ああ 侯爵の奥様を ああ ああ 若い伯爵がやってくるわ お屋敷に ああ ああ 私の操を奪おうとして ああ ああ！ 第２幕までは屈しなかったわ けれど ああ 第３幕ではもうメロメロよ そこで突然ドアが開く： あら大変、夫だわ！どうしましょ？ああ 「許して！」か細く叫ぶと 夫は許してくれるの ああ！ 最後の場面は お客さんは貰い泣きなの ああ！そうよ！ ＜フランク＞ （語る） メイドにしては君は多少奔放すぎる感じだが！ ＜イーダ＞ じゃああなたは私の姉を教育してくださるの、シュヴァリエさん？ （呼び鈴が鳴る） ＜フランク＞ （窓辺に行く） 見てみなければ 誰が来たのか？ （びっくりして戻ってくる） あっ、ルナール侯爵だ！私はいったいどうすればいいのか？ ＜フロッシュ＞ （やってきて） ドアをあけますかい？ ＜フランク＞ ああ...いや...まだ待て！ （ひとりごと） 私は非常に混乱している！ （フロッシュへ） 別の部屋に女性たちをお連れしろ！ ＜フロッシュ＞ もう１３号室しか空いてねえですぜ！ ＜フランク＞ じゃあ１３号室にお連れしろ！ （再び呼び鈴が鳴る） ＜フロッシュ＞ （そっと） 鍵をかけてもいいんですかい？ ＜フランク＞ だめだ．．．いや構わん！どっちでもいい！鍵をかけてもいいから彼女たちを早く連れてってくれ！ - しかし侯爵はここに何をしにきたのか？ ＜フロッシュ＞ ではちょっとおいで頂くとしましょうか お嬢さん方？ ＜アデーレ＞ １３号室ってここの応接室なの？ ＜フロッシュ＞ もちろん！ここにゃしばしば長期滞在されるお客がいるもんでね そのためのサロンがあるんでさあ ＜イーダ＞ じゃあその１３号室に案内して下さいね！ ＜フロッシュ＞ （2人の女性に腕を差し出して） よろしけりゃどうぞ？ （アデーレとイーダはその腕を取る） 俺たちの陽気な刑務所！とてつもなく陽気！ （アデーレ・イーダと一緒に退場） 第５場 フランク、 その後アイゼンシュタイン ＜フランク＞ （一人で） ルナール侯爵はせっかちだ。私はどうすべきだろうか？私は彼に本当のことを明かす必要があるな、私にとっては大変恥ずかしいことではあるが （ドアを開ける） ＜アイゼンシュタイン＞ （入ってくる） まさか、親愛なるシュヴァリエさん、ここで会えるなんて？あなたは逮捕されたんですか 夜の静けさを乱したか何かで？ ＜フランク＞ まずお話しください 親愛なる侯爵 何をなさりにここに来られたのですか？ ＜アイゼンシュタイン＞ ああ、あなたお茶を飲んでおられますな。ご一緒してもよろしいですか！ （腰をかける） ＜フランク＞ どうぞご自由にお飲みください ご自宅におられるときのように！ ＜アイゼンシュタイン＞ 私はこれからここが家なんですよ！ ＜フランク＞ ここが自宅になるですって？まるで私のことをおっしゃっておられるようですな ＜アイゼンシュタイン＞ だからまず話してください 一体何をしたのであなたが逮捕されてしまったのかを シュヴァリエさん？ ＜フランク＞ 私は捕まったわけではありません 決して！ ＜アイゼンシュタイン＞ じゃあ一体、あなた ここで何をやっているんです？ ＜フランク＞ まあお聞きください いつかは本当のことを認めなくちゃいけないのですから 私はシュヴァリエ・シャグランではなく、フランクという名の刑務所長です！ ＜アイゼンシュタイン＞ ハハ、面白い冗談だ！素晴らしい冗談だね、ハハ！ ＜フランク＞ 冗談ではありません 真面目な事実です！ ＜アイゼンシュタイン＞ ねえ、シュヴァリエさん、あなたはまだひどく酔っ払っていて本当に自分が看守だと思っているだけでしょう？お茶でも飲まれたらいかがです！ ＜フランク＞ もはやそうではないんです もうお茶はいりません、シュヴァリエではありません！ ＜アイゼンシュタイン＞ なあ 兄弟 なあ、あなたは私をからかうつもりですか！ ＜フランク＞ お疑いですか？ （ベルを鳴らす） はっきりと信じて頂く必要がありそうですな！ 第６場 フランク、アイゼンシュタイン、フロッシュ ＜フロッシュ＞ ご命令ですかい？ ＜フランク＞ 侯爵を逮捕しろ！ ＜フロッシュ＞ 合点承知！ - 手錠をかけますかい？ （アイゼンシュタインをつかまえる） ＜アイゼンシュタイン＞ 何のつもりだ？ ＜フランク＞ その方を放せ！ただの冗談だ ＜フロッシュ＞ （解放する） ああ 冗談ですかい！ ＜フランク＞ 退出して我々だけにしてくれ！ ＜フロッシュ＞ 妙な冗談だ！何度でも言うが陽気な刑務所だ、とてつもなく陽気な！ （退場） DRITTER AKT Nr. 12 - Entreakt Kanzlei des Gefängnisdirektors Frank. Im Hintergrund blickt man ins Vorzimmer. Links ein Fenster. Auf beiden Seiten Türen. Rechts ein Schreibtisch mit Teegeschirr, Wasserflasche usw. ERSTER AUFTRITT Frosch. Hinter der Szene Alfred. FROSCH schliesst mit einem grossen Schlüsselbund die Mitteltüre auf, tritt mit einer brennenden Laterne in der Hand ziemlich betrunken ein. ALFRED singt hinter der Szene Täubchen, holdes Täubchen mein usw.. FROSCH Hoho, das ist ein fideles Gefängnis. Der Gefangene auf Numero 12 singt schon wieder. Ich bin erst seit ein paar Tagen mit dem Herrn Direktor hierher versetzt worden, aber es gefällt mir ganz gut. So ein fideles Gefängnis wie hier ist mir noch gar nicht vorgekommen. Und der Slibowitz, der ist hier auch sehr gut! Ja, ich habe gefunden, dass er hier sogar noch besser ist! Im Kopf hab ich nichts, der ganze Geist hat sich in die Stiefel gesenkt, darum sind sie so schwer. Und dann ist mir, als hör ich immer Musik! ALFRED hinter der Szene trällert wieder FROSCH So lustig und fidel kommt mir hier alles vor. Ist das der Slibowitz? horcht Nein, das ist der Gefangene von Numero 12, der singt schon wieder. ruft Ruhe, Ruhe, mein Herr! Das Singen ist gegen die Hausordnung! Na wart, verdammter Slibowitz! stolpert ab Verflucht fidel ist s hier im Gefängnis! ZWEITER AUFTRITT Frank allein. Nr. 13 - Melodram Es wird hell. Wenn Frosch verschwunden ist, öffnet sich die Tür links. Frank hat den Hut etwas zerdrückt tief in der Stirn sitzen und den Mantel schief geknöpft. Während er nach vorn kommt, sucht er vergeblich seinen schwankenden Schritten Festigkeit zu geben. Nach vorn gekommen, nimmt er den Zylinder ab und schleudert ihn in eine Zimmerecke. Energisch sucht er seinen Mantel auszuziehen. Frank, immer an dem Rock zerrend, fängt allmählich an, sich leicht im Walzertakt zu wiegen, und pfeift vor sich hin. Er wird immer lebhafter und walzt mit seinem halbausgezogenen Mantel durchs Zimmer. Plötzlich hält er inne, besinnt sich, wo er sich befindet, und bemüht sich, ernst zu sein. Es gelingt ihm, den Mantel loszuwerden. Die gute Laune gewinnt die Oberhand. Er glaubt sich noch im Ballsaal und lallt. FRANK Olga, komm her! Ida auch! Ihr gefallt mir! Marquis, reich mir die Hand, sei mein Freund! singt Die Majestät wird anerkannt rings im Land, Jubelnd wird Champagner der Erste sie genannt! Es lebe Champagner der Er ... Pst! Schaut sich erschrocken um, ob niemand ihn gehört, erblickt das Teegeschirr; das kommt ihm sehr erwünscht. Er beginnt Tee zu machen, zündet nach einigen vergeblichen Versuchen die Spiritusflamme an, schüttet Tee in die Kanne. Es wird ihm heiss, er fächelt sich Luft zu, sucht nach einem Stuhl, erhascht ihn endlich, setzt sich, versucht die Zeitung zu lesen, hält sie jedoch schief und nickt darüber ein. DRITTER AUFTRITT Frank. Frosch. FROSCH erblickt Frank schlafend, für sich Ah, der Herr Direktor ist schon da! Er scheint sehr vertieft in seine Lektüre. bemüht sich, stramme Haltung anzunehmen Ich muss ihm meinen Rapport machen. sehr laut Herr Direktor, ich komm zum Rapport! FRANK fährt auf Was gibt s? Nun, Frosch, quake deinen Rapport! Komm näher! FROSCH verlegen, da er sich nicht zu rühren wagt Näher soll ich kommen? FRANK Nun freilich! Frosch macht zwei wankende Schritte, für sich Der verdammte Champagner! Alles hüpft mir vor den Augen. Auch der Frosch hüpft! laut Was gibt s Neues? FROSCH Nichts, Herr Direktor. Nur Numero 12 verlangt einen Advokaten. FRANK Der Herr von Eisenstein? Meinetwegen, das ist sein gutes Recht. FROSCH Ich habe ihm einen gewissen Dr. Blind bestellt, den man mir anempfohlen. taumelt etwas Verdammter Slibowitz! FRANK Warum schwankst du denn so? FROSCH immer schwankend Ich schwanke ja nicht! FRANK für sich Verfluchter Champagner! Alles schwankt mir vor den Augen! FROSCH hat einen Stuhl als Halt gefunden Sehen Sie, Herr Direktor, ich schwanke nicht! FRANK heftig Wer sagt denn, dass du schwankst? für sich Verfluchte Geschichte. FROSCH Niemand, Herr Direktor, niemand sagt es. für sich Mir kam es so vor, als ob er s gesagt hätte! FRANK Nun, wie gefällt es dir in diesem Hause? FROSCH stützt sich mit beiden Armen auf Franks Tisch Wie es mir hier gefällt? Sehr gut! Recht fidel ist es! Wahrhaftig, ein so fideles Gefängnis ist mir noch gar nicht vorgekommen. Meinen Sie nicht auch, Herr Direktor? FRANK Ja, du hast recht; sehr fidel ist s hier! es läutet Was gibt s? Man läutet an der Tür. FROSCH bleibt ruhig stehen Ja, mir war s auch so! FRANK Schau aus dem Fenster, wer da ist. es läutet wieder FROSCH Aus dem Fenster? für sich Bis dorthin komm ich ja gar nicht! schwankt im Zickzack zum Fenster FRANK für sich Nur kein Besuch jetzt! FROSCH am Fenster Zwei Damen sind da! FRANK aufspringend Zwei Damen, sagst du? FROSCH Vielleicht ist es auch nur eine. Ich sehe alles doppelt. - Soll ich öffnen? FRANK Nein ... ja ... das heisst ... nein! FROSCH Es sind zwei hübsche feine Damen! FRANK So öffne doch! Warum öffnest du denn nicht? FROSCH Ich gehe ja schon! im Abgehen Eine lustige Geschichte! Zwei schöne junge Damen schon in aller Früh! Ich sag s ja, ein fideles Gefängnis! Ungeheuer fidel! torkelt ab FRANK Wenn ich nur schnell etwas Niederschlagendes ... entdeckt auf dem Tisch die Wasserflasche, schenkt sich ein Glas ein, stürzt es hinunter Ah, das tut gut! taucht sein Taschentuch ein und befeuchtet sich die Stirn VIERTER AUFTRITT Frank. Frosch, der Adele und Ida hereinführt. FROSCH Die beiden Damen wollen den Herrn Chevalier Chargrin sprechen. FRANK zuckt zusammen Chevalier Chargrin!? FROSCH Ich habe Ihnen schon gesagt, dass wir keinen Herrn dieses Namens hier haben. ADELE Aber da ist er ja! IDA Dr. Falke hat uns die Wohnung ganz richtig beschrieben. FRANK für sich Die Olga mit der Ida, das fehlte noch! Zu Frosch. Lass uns allein! FROSCH Zu Befehl! im Abgehen Ein lustiges Gefängnis hier! Ungeheuer fidel! ADELE Der Herr Chevalier wundern sich gewiss über diesen Besuch? FRANK Allerdings ... ich hatte nicht gehofft, so früh schon ... ADELE Wir haben Ihnen eine Bitte vorzutragen. IDA Und meine Schwester meinte, frisch gewagt ist halb gewonnen. Da der Herr Chevalier sich heute ganz besondersfür meine Schwester zu interessieren schienen ... FRANK verlegen Allerdings! für sich Sie sind übrigens alle beide allerliebst! ADELE Da hielt ich es für meine Pflicht, Ihnen ein Geständnis zu machen! FRANK Oho! für sich Mir wird ganz heiss! ADELE Dass ich nicht das bin, was ich scheine! FRANK Sie sind ganz allerliebst, und das genügt mir, mein Engel! IDA Meine Schwester ist aber keine Künstlerin. FRANK galant Was nicht ist, kann noch werden! ADELE Das meinte meine Schwester auch, und deswegen kommen wir zu Ihnen. IDA Sie sind ein vornehmer Herr und könnten ihr leicht behilflich sein. FRANK Ich! Wieso? IDA Wie gesagt, meine Schwester ist noch nicht Künstlerin ... ADELE Auch noch nicht einmal Elevin, sondern bis jetzt nur Stubenmädchen des Herrn von Eisenstein. FRANK Ein Stubenmädchen! Und Sie haben sich von mir die Hand küssen lassen? ADELE Den Mund ja auch! FRANK Pst, nichts ausplaudern! ADELE Es bleibt unter uns! Aber da Sie Herrn von Eisenstein sprechen werden, hätte ich noch eine Bitte. FRANK Nun? ADELE Der Herr weiss, dass ich ohne Erlaubnis der gnädigen Frau in ihrem Kleide die Villa Orlofsky besucht habe. schluchzend Ich bitte, ich beschwöre Sie, legen Sie ein gutes Wort für mich ein! FRANK Dass er Ihnen verzeiht? ADELE Nein, dass er mir das Kleid schenkt, weil es mir gar so gut steht! FRANK Das ist doch ein bisschen viel verlangt! Augenblicklich entlassen wird Sie Ihre Herrschaft. IDA Ach, wenn es weiter nichts ist, entlassen hat sie sich schon selbst. ADELE Ich habe nämlich die Idee, mich fürs Theater ausbilden zu lassen. IDA Und da sollten uns der Herr Chevalier behilflich sein. Mich hat auch so ein vornehmer Herr ausbilden lassen. FRANK Ich soll Sie ausbilden lassen? Ja, haben Sie denn auch Talent? ADELE Ob ich Talent habe? Sonderbare Frage! Nr. 14 - Couplet 1 ADELE Spiel ich die Unschuld vom Lande, Natürlich im kurzen Gewande, So hüpf ich ganz neckisch umher, Als ob ich ein Eichkatzerl wär . Und kommt ein saubrer junger Mann, So blinzle ich lächelnd ihn an, Durch die Finger zwar nur Als Kind der Natur, Und zupf an meinem Schürzenband; So fängt man Spatzen auf dem Land. Und folgt er mir, wohin ich geh, Sag ich naiv "Sö Schlimmer, Sö!" Setz mich zu ihm ins Gras sodann Und fang auf d Letzt zu singen an La la la la la la la la! Wenn Sie das gesehn, müssen Sie gestehn, Es wär der Schaden nicht gering, Wenn mit dem Talent ich nicht zum Theater ging ! 2 Spiel ich eine Königin, Schreit ich majestätisch hin, Nicke hier und nicke da, Ja, ganz in meiner Gloria. Alles macht voll Ehrfurcht mir Spalier, Lauscht den Tönen meines Sangs. Lächelnd ich das Reich und Volk regier, Königin par excellence! La la la la la la la la! IDA die Trompete nachahmend Tratatatata! Tratatatata! FRANK die Trommel nachahmend Rem, pem, plem, prrr, rem, pem, plem, prrr! ADELE Wenn Sie das gesehn, müssen Sie gestehn, Es wär der Schaden nicht gering, Wenn mit dem Talent ich nicht zum Theater ging ! 3 Spiel ich ne Dame aus Paris, ach, ach, Die Gattin eines Herrn Marquis, ach, ach, - Da kommt ein junger Graf ins Haus, ach, ach, Der geht auf meine Tugend aus, ach! Zwei Akte lang geb ich nicht nach, Doch, ach, im dritten werd ich schwach. Da öffnet plötzlich sich die Tür O weh, mein Mann! Was wird aus mir? Ach! "Verzeihung!" flöt ich; er verzeiht, ach! Zum Schlusstableau, da weinen d Leut , ach! Ja! FRANK spricht Zum Stubenmädchen sind Sie allerdings etwas zu emanzipiert! IDA Sie wollen also meine Schwester ausbilden lassen, Herr Chevalier? Es läutet. FRANK ans Fenster gehend Ich muss doch sehen, wer da ist? prallt erschrocken zurück Donnerwetter, Marquis Renard! Was mach ich nun? FROSCH ist gekommen Soll ich öffnen? FRANK Ja ... nein ... warte noch! für sich Ich bin ganz konfus! zu Frosch Führe die Damen in ein anderes Zimmer! FROSCH Ich habe nur noch Numero 13 frei! FRANK So führe sie auf Nummer 13! Es läutet wieder. FROSCH leise So werden sie also eingesperrt? FRANK Nein ... das heisst ja! Meinetwegen! Sperre sie ein, mach nur, dass sie fortkommen! - Was mag der Marquis hier wollen? FROSCH Wollen Sie die Güte haben, meine Damen? ADELE Ist Numero 13 Ihr Empfangssalon? FROSCH Freilich! Oh, wir haben mehrere solche Salons, weil wir oft längeren Besuch bekommen. IDA Also führen Sie uns auf Nummer 13! FROSCH beiden Damen den Arm bietend Wenn s gefällig? Adele und Ida hängen sich ein Fideles Gefängnis bei uns! Ungeheuer fidel! ab mit Adele und Ida FÜNFTER AUFTRITT Frank. Dann Eisenstein. FRANK allein Der Herr Marquis Renard wird schon ungeduldig. Was soll ich machen? Ich muss ihn hereinlassen auf die Gefahr hin, dass die Sache mit einer ungeheuren Blamage für mich endet. öffnet die Tür EISENSTEIN tritt ein Ist s möglich, teurer Chevalier, dich find ich hier? Bist du wegen nächtlicher Ruhestörung arretiert worden? FRANK Erst sag mir, lieber Marquis, was du hier zu tun hast? EISENSTEIN Ah, du bist beim Tee, das kommt mir sehr apropos. Du erlaubst schon! setzt sich FRANK Bitte, bediene dich ungeniert. Tu, als ob du zu Hause wärst! EISENSTEIN Das bin ich eigentlich jetzt auch! FRANK Du hier zu Hause? Das könnte ich doch wohl eher von mir behaupten. EISENSTEIN So sag mir doch endlich, was hast du denn getrieben, dass du hier eingesperrt wurdest, Chevalier? FRANK Ich bin ja gar nicht eingesperrt! EISENSTEIN Zum Henker, was machst du dann aber hier? FRANK So hör denn, ich muss endlich die Wahrheit bekennen; ich bin nicht der Chevalier Chargrin, sondern heisse Frank und bin Direktor dieses Gefängnisses! EISENSTEIN Haha, ein guter Spass! Ein prächtiger Spass, haha! FRANK Kein Spass, sondern bitterer Ernst! EISENSTEIN Mein Gott, Chevalier, bist du denn noch so arg betrunken, dass du dir wirklich einbildest, hier Gefängnisdirektor zu sein? Nimm noch eine Tasse Tee! FRANK Keiner mehr da kein Tee, kein Chevalier! EISENSTEIN Geh, Bruder, geh; du willst mich zum besten haben! FRANK Du zweifelst daran? läutet Sollst dich gleich überzeugen! SECHSTER AUFTRITT Frank. Eisenstein. Frosch. FROSCH Herr Direktor befehlen? FRANK Pack den Herrn Marquis! FROSCH Sehr wohl! - Soll ich ihm Handschellen anlegen? packt Eisenstein EISENSTEIN Was soll das heissen? FRANK Lass ihn wieder los! Es war nur ein Spass. FROSCH lässt los Ah so, nur ein Spass! FRANK Geh und lass uns jetzt allein! FROSCH Kuriose Spässe! Ich sag s ja, ein fideles Gefängnis, ungeheuer fidel! ab この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Strauss,Johann II/Die Fledermaus/III-2
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CHAPTER VI UP CHAPTER VIII CHAPTER VII Anne Says Her Prayers When Marilla took Anne up to bed that night she said stiffly "Now, Anne, I noticed last night that you threw your clothes all about the floor when you took them off. That is a very untidy habit, and I can t allow it at all. As soon as you take off any article of clothing fold it neatly and place it on the chair. I haven t any use at all for little girls who aren t neat." "I was so harrowed up in my mind last night that I didn t think about my clothes at all," said Anne. "I ll fold them nicely tonight. They always made us do that at the asylum. Half the time, though, I d forget, I d be in such a hurry to get into bed nice and quiet and imagine things." "You ll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed." "I never say any prayers," announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don t you know who God is, Anne?" "`God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, justice, goodness, and truth, " responded Anne promptly and glibly. Marilla looked rather relieved. "So you do know something then, thank goodness! You re not quite a heathen. Where did you learn that?" "Oh, at the asylum Sunday-school. They made us learn the whole catechism. I liked it pretty well. There s something splendid about some of the words. `Infinite, eternal and unchangeable. Isn t that grand? It has such a roll to it--just like a big organ playing. You couldn t quite call it poetry, I suppose, but it sounds a lot like it, doesn t it?" "We re not talking about poetry, Anne--we are talking about saying your prayers. Don t you know it s a terrible wicked thing not to say your prayers every night? I m afraid you are a very bad little girl." "You d find it easier to be bad than good if you had red hair," said Anne reproachfully. "People who haven t red hair don t know what trouble is. Mrs. Thomas told me that God made my hair red ON PURPOSE, and I ve never cared about Him since. And anyhow I d always be too tired at night to bother saying prayers. People who have to look after twins can t be expected to say their prayers. Now, do you honestly think they can?" Marilla decided that Anne s religious training must be begun at once. Plainly there was no time to be lost. "You must say your prayers while you are under my roof, Anne." "Why, of course, if you want me to," assented Anne cheerfully. "I d do anything to oblige you. But you ll have to tell me what to say for this once. After I get into bed I ll imagine out a real nice prayer to say always. I believe that it will be quite interesting, now that I come to think of it." "You must kneel down," said Marilla in embarrassment. Anne knelt at Marilla s knee and looked up gravely. "Why must people kneel down to pray? If I really wanted to pray I ll tell you what I d do. I d go out into a great big field all alone or into the deep, deep, woods, and I d look up into the sky--up--up--up--into that lovely blue sky that looks as if there was no end to its blueness. And then I d just FEEL a prayer. Well, I m ready. What am I to say?" Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, "Now I lay me down to sleep." But she had, as I have told you, the glimmerings of a sense of humor--which is simply another name for a sense of fitness of things; and it suddenly occurred to her that that simple little prayer, sacred to white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing bout God s love, since she had never had it translated to her through the medium of human love. "You re old enough to pray for yourself, Anne," she said finally. "Just thank God for your blessings and ask Him humbly for the things you want." "Well, I ll do my best," promised Anne, burying her face in Marilla s lap. "Gracious heavenly Father--that s the way the ministers say it in church, so I suppose it s all right in private prayer, isn t it?" she interjected, lifting her head for a moment. "Gracious heavenly Father, I thank Thee for the White Way of Delight and the Lake of Shining Waters and Bonny and the Snow Queen. I m really extremely grateful for them. And that s all the blessings I can think of just now to thank Thee for. As for the things I want, they re so numerous that it would take a great deal of time to name them all so I will only mention the two most important. Please let me stay at Green Gables; and please let me be good-looking when I grow up. I remain, "Yours respectfully, Anne Shirley. "There, did I do all right?" she asked eagerly, getting up. "I could have made it much more flowery if I d had a little more time to think it over." Poor Marilla was only preserved from complete collapse by remembering that it was not irreverence, but simply spiritual ignorance on the part of Anne that was responsible for this extraordinary petition. She tucked the child up in bed, mentally vowing that she should be taught a prayer the very next day, and was leaving the room with the light when Anne called her back. "I ve just thought of it now. I should have said, `Amen in place of `yours respectfully, shouldn t I?--the way the ministers do. I d forgotten it, but I felt a prayer should be finished off in some way, so I put in the other. Do you suppose it will make any difference?" "I--I don t suppose it will," said Marilla. "Go to sleep now like a good child. Good night." "I can only say good night tonight with a clear conscience," said Anne, cuddling luxuriously down among her pillows. Marilla retreated to the kitchen, set the candle firmly on the table, and glared at Matthew. "Matthew Cuthbert, it s about time somebody adopted that child and taught her something. She s next door to a perfect heathen. Will you believe that she never said a prayer in her life till tonight? I ll send her to the manse tomorrow and borrow the Peep of the Day series, that s what I ll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can t get through this world without our share of trouble. I ve had a pretty easy life of it so far, but my time has come at last and I suppose I ll just have to make the best of it." CHAPTER VI UP CHAPTER VIII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 30 24 (Tue)
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Operator Algebras and Applications (Advanced Studies in Pure Mathematics) Mathematical Soc of Japan? Kyoto Daigaku Suri Kaiseki Kenkyujo? Hideki Kosaki? Yoichi Miyaoka? MathematicalSocofJapan? KyotoDaigakuSuriKaisekiKenkyujo? HidekiKosaki? YoichiMiyaoka? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-FunctionalAnalysis? Subjects-Science-Mathematics-PureMathematics-NumberTheory? Stochastic Analysis on Large Scale Interacting Systems (Advanced Studies in Pure Mathematics) Mathematical Soc of Japan? Kyoto Daigaku Suri Kaiseki Kenkyujo? Tadahisa Funaki? Yoichi Miyaoka? MathematicalSocofJapan? KyotoDaigakuSuriKaisekiKenkyujo? TadahisaFunaki? YoichiMiyaoka? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-StochasticModeling? Subjects-Science-General Subjects-Science-Mathematics-General? Representation Theory of Algebraic Groups and Quantum Groups (Advanced Studies in Pure Mathematics) Mathematical Soc of Japan? Kyoto Daigaku Suri Kaiseki Kenkyujo? Toshiaki Shoji? Yoichi Miyaoka? MathematicalSocofJapan? KyotoDaigakuSuriKaisekiKenkyujo? ToshiakiShoji? YoichiMiyaoka? Subjects-Science-General Subjects-Science-Mathematics-General? Stochastic Analysis and Related Topics in Kyoto In Honor of Kiyosi Ito (Advanced Studies in Pure Mathematics) Mathematical Soc of Japan? Kyoto Daigaku Suri Kaiseki Kenkyujo? Hiroshi Kunita? Yoichi Miyaoka? MathematicalSocofJapan? KyotoDaigakuSuriKaisekiKenkyujo? HiroshiKunita? YoichiMiyaoka? Subjects-Science-General Subjects-Science-Mathematics-General? The Fourfold Way in Real Analysis An Alternative To The Metaplectic Representation (Progress in Mathematics (Birkhauser Boston)) Birkhauser (Architectural)? Andre Unterberger? Birkhauser(Architectural)? AndreUnterberger? 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The Emperor's New Hydrogen Economy Iuniverse Inc? Darryl Mcmahon? IuniverseInc? DarrylMcmahon? ジャンル別? Subjects-Engineering-Nuclear? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Science-General Subjects-Science-Technology-General&Reference Thunderhead Alliance Guide to Complete Streets Campaigns For Thunderhead Alliance Member Organizations March 2006 Iuniverse Inc? Thunderhead Alliance? IuniverseInc? ThunderheadAlliance? ジャンル別? Subjects-History-World-Transportation-General? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Reference? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Science-Technology-General&Reference Real Estate Webographertm Web Technology Handbook Iuniverse Inc? Marc Grayson? IuniverseInc? MarcGrayson? ジャンル別? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Computers&Internet-General? 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Subjects-Science-General Subjects-Science-Technology-General&Reference Programming With Microsoft Visual Basic.Net An Object-Oriented Approach Comprehensive Course Technology Ptr (Sd)? Michael Ekedahl? William Newman? CourseTechnologyPtr(Sd)? MichaelEkedahl? WilliamNewman? ジャンル別? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Programming-Languages&Tools-General? Subjects-Computers&Internet-Programming-Languages&Tools-VisualBasic? Subjects-Computers&Internet-Microsoft-Development-.NET? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Guide to Designing and Implementing Wireless Lans Course Technology Ptr (Sd)? Mark Ciampa? CourseTechnologyPtr(Sd)? MarkCiampa? ジャンル別? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-LAN? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-General? 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Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Security+ Guide To Network Security Fundamentals Course Technology Ptr (Sd)? Mark Ciampa? CourseTechnologyPtr(Sd)? MarkCiampa? ジャンル別? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-Security? Subjects-Computers&Internet-WebDevelopment-Security&Encryption-Encryption? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-CertificationCentral-Publisher-CourseTechnology? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Technological Innovation and Multinational Corporations Blackwell Pub? John Cantwell? BlackwellPub? JohnCantwell? ジャンル別? Subjects-Business&Investing-Economics-Macroeconomics? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-Macroeconomics? Subjects-Professional&Technical-Accounting&Finance-Economics-Macroeconomics? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference The Blackwell Encyclopedia of Industrial Archaeology Blackwell Pub? Barrie Trinder? Axel Fohl? David H. Shayt? Stuart Smith? BlackwellPub? BarrieTrinder? AxelFohl? DavidH.Shayt? StuartSmith? ジャンル別? Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-General? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Nonfiction-Education-Reference-Encyclopedias-History? Subjects-Professional&Technical-Architecture-BuildingTypes&Styles-General? 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Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference The Economics of Technological Diffusion Blackwell Pub? Paul Stoneman? BlackwellPub? PaulStoneman? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Science-Technology-General&Reference Philosophy of Technology The Technological Condition An Anthology (Blackwell Philosophy Anthologies) Blackwell Pub? Robert C. Scharff? Val Dusek? BlackwellPub? RobertC.Scharff? ValDusek? ジャンル別? 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Subjects-Science-Medicine-VeterinaryMedicine-BovineMedicine? Subjects-Science-Medicine-VeterinaryMedicine-Surgery? Compendium of Chemical Terminology Iupac Recommendations (IUPAC Chemical Data Series) Blackwell Science Inc? Victor Gold? Kurt L. Loening? Alan D. McNaught? Pamil Sehmi? BlackwellScienceInc? VictorGold? KurtL.Loening? AlanD.McNaught? PamilSehmi? ジャンル別? Substores-UnknownASINs-62? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Manual of Avionics An Introduction to the Electronics of Civil Aviation Sheridan House Inc? Brian Kendal? SheridanHouseInc? BrianKendal? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Aerospace-General? Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Home&Garden-Antiques&Collectibles-General? 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ACTE 3 (Le theatre change, et represente le mont Etna vomissant des flâmes, et les lieux d alentour.) SCENE 1 Alphée, Arethuse, Crinise, troupe de nymphes, troupe de dieux des bois. Tous Ensemble Proserpine, Respondez-nous Helas ! En quels lieux estes-vous ? O disgrace cruelle ! L echo fidelle Au fond des bois Respond à nostre voix ; Proserpine ? Ah faut-il qu en vain on vous appelle ! Proserpine ? Respondez-nous ? Helas ! En quels lieux estes vous ? O disgrace cruelle ! SCENE 2 Arethuse, Alphée Arethuse N aurois-je point innocemment Causé tant de cris et de larmes ? D un desir curieux je n ay point pris d allarmes ; Qui croiroit que Pluton pût devenir amant ! Il demandoit à voir Proserpine un moment, Je crains qu il n ait trop veu ses charmes, Ce n est que par mes soins que Ceres peut sçavoir Si le dieu des enfers tient sa fille captive ; Il m est permis d aller sur l infernale rive Adieu, dans peu de temps j espere vous revoir. Alphée Pouvez-vous oublier qu il faut que je vous suive ? J ay sans cesse suivy vos pas Quand j excitois vostre colere Quand j ay cessé de vous déplaire Pourrois-je ne vous suivre pas ? Arethuse Du maistre des enfers je veux aller me plaindre, Craignez en me suivant d attirer son courroux. Alphée Pour moy rien n est tant à craindre Que d estre éloigné de vous. Que l absence de ce qu on aime Est un supplice rigoureux ! Pour les coeurs amoureux, Tout autre mal cede à ce mal extresme, Et l enfer mesme N a rien de plus affreux Que l absence de ce qu on aime. Alphée et Arethuse. Le bonheur est par tout où l amour est en paix, Ne nous quittons jamais. SCENE 3 Alphée, Arethuse, Crinise, troupes de nymphes et de dieux des bois. Tous Ensemble Ceres revient ! Ah qu elle peine ! Cachons-nous à ses yeux. Sa fille n est plus dans ces lieux ; Son esperance est vaine. Que luy pourrons-nous dire, ô dieux ! Ceres revient ; ah quelle peine ! Cachons-nous à ses yeux, (Les nymphes et les dieux des bois se cachent, Alphée et Arethuse descendent aux enfers, le Char volant de Ceres s arreste, et la déesse en descend.) SCENE 4 Ceres, seule. Je vais revoir ma fille, elle est dans ces campagnes Je viens d y voir les nymphes ses compagnes. Je vais goûter prés d elle un sort doux et charmant. Helas ! Qu un tendre amour accroît l empressement De la tendresse maternelle. Proserpine est pour moy le gage precieux De l amour du plus grand des dieux, C est Jupiter que j aime en elle. J ay rendu les humains heureux, Mes travaux ont comblé leurs voeux ; Il m est permis enfin d estre heureuse moy-mesme Apres avoir acquis un immortel honneur, Quand chacun par mes soins goûte un bonheur extresme Qu il m est doux de songer à mon propre bonheur. Les nymphes de ces lieux semblent fuir ma presence Proserpine ? Ma fille ? Ah quel triste silence ! Est-ce ainsi qu on devoit dans cet heureux séjour Se réjouir de mon retour ? Venez, nymphes, venez, que ma fille s avance. Venez, dieux des bois, venez-tous. SCENE 5 Ceres, Crinise, troupes de nymphes et de dieux des bois. Ceres Ma fille n est pas avec vous ! Quoy, donc, est-ce le soin que vous en deviez prendre ? Rendez-moy Proserpine. Au lieu de me la rendre, Vous m offrez seulement des soupirs et des pleurs ? Le Choeur O Ceres ! ô mere trop tendre ! Ah!quelles seront vos douleurs. Ceres Ciel ! On m oste ma fille ! Et qui l ose entreprendre ? Deux Nymphes Nous n avons pu l aprendre, Et l on a pris le temps que nous cüeillions des fleurs. Ceres J ay cru qu un doux repos devoit icy m attendre, Et je n y trouve, helas ! Que de cruels malheurs. Le Choeur O Ceres ! ô mere trop tendre ! Ah ! Quelles seront vos douleurs ! SCENE 6 Cyané, Ceres, Crinise, troupes de nymphes et de dieux champestres. Cyané Je ressens vos ennuis, et j en suis trop atteinte, Quoy qu il puisse arriver, vous allez tout sçavoir. Il faut que mon devoir L emporte sur ma crainte. Ceres Parle, ma chere cyané ; Soulage un coeur infortuné. Cyané J ay suivy Proserpine, et j ay pris sa deffense ! Helas tous mes efforts pour elle ont esté vains ! Son escharpe est entre mes mains... Ceres Ce cher et triste objet presse encore ma vangeance. Haste-toy de nommer l ennemy qui m offence. Cyané C est... C est... Ceres Achève. Cyané C est... Ceres et Le Choeur. Ah ! Quel malheur nouveau ! Cyané perd la voix et n est plus qu un ruisseau. SCENE 7 Ceres, Crinise, troupe de nymphes, et de dieux des bois. Ceres O malheureuse mere ! Le Choeur O trop malheureuse Ceres ! Ceres Les dieux n ont pu souffrir qu une nymphe sincere M ait découvert mes ennemis secrets. Je ne sçauray donc pas sur qui lancer les traits De ma juste colere ? On me ravit une fille si chere ! Jupiter dans les cieux sourd à mes vains regrets Ne ressent plus qu il est son pere ! O malheureuse mere ! Le Choeur O trop malheureuse Ceres ! Ceres Ah ! Quelle injustice cruelle ! O dieux pourquoy m arrachez-vous Un bien que je trouvois si doux ? De cette audace criminelle Est-ce Apollon ou Mars que je doy soupçonner ? Leurs meres en fureur n ont pu me pardonner D avoir une fille si belle. Dois-je accuser l Amour, et sert-il aujourd huy A me ravir un bien que je tenois de luy ? Trahiroit-il mon coeur fidelle ? Ah ! Quelle injustice cruelle ! O dieux ! Pourquoy m arrachez-vous Un bien que je trouvois si doux ? Par mes soins, les champs de Cybele De fruits, et de moissons viennent d estre couverts ; De mes dons precieux la richesse nouvelle Brille par mes travaux en cent climats divers, Et quand de tant de biens j ay comblé l univers, Les dieux percent mon coeur d une douleur mortelle. Ah ! Quelle injustice cruelle ! O dieux pourquoy m arrachez-vous Un bien que je trouvois si doux. Apres un si sensible outrage, Mon coeur desespéré s abandonne à la rage. Du monde trop heureux je veux troubler la paix Brulons, ravageons-tout, détruisons mes bien-faits. SCENE 8 Ceres, troupes de nymphes et de dieux champestres, troupe de suivants de Ceres, troupe de peuples de Sicile. (Les suivants de Ceres rompent les arbres et en prennent des branches et en font des flambeaux qu ils allument au feu qui sort du mont Etna. Ils en brulent les bleds, malgré les efforts et les cris des nymphes, des dieux champestres, et des peuples.) Ceres, tenant deux flambeaux allumés. Que tout se ressente De la fureur que je sens. Le choeur des dieux champestres et des peuples. Quel crime avons-nous fait ? Divinité puissante, Écoutez les clameurs des peuples gemissants. Ceres J ay fait du bien à tous, ma fille est innocente, Et pour toucher les dieux, nos cris sont impuissants ; J entendray sans pitié les cris des innocents Que tout se ressente De la fureur que je sens. Le Choeur Ah ! Quelle espouvantable flâme ! Ah ! Quel ravage affreux ! Ceres Portons par tout l horreur qui regne dans mon ame. Portons par tout d horribles feux. Le Choeur Ah ! Quelle espouvantable flâme ! Ah ! Quel ravage affreux ! Fin du troisième Acte. ACTE 3 (Le theatre change, et represente le mont Etna vomissant des flâmes, et les lieux d alentour.) SCENE 1 Alphée, Arethuse, Crinise, troupe de nymphes, troupe de dieux des bois. Tous Ensemble Proserpine, Respondez-nous Helas ! En quels lieux estes-vous ? O disgrace cruelle ! L echo fidelle Au fond des bois Respond à nostre voix ; Proserpine ? Ah faut-il qu en vain on vous appelle ! Proserpine ? Respondez-nous ? Helas ! En quels lieux estes vous ? O disgrace cruelle ! SCENE 2 Arethuse, Alphée Arethuse N aurois-je point innocemment Causé tant de cris et de larmes ? D un desir curieux je n ay point pris d allarmes ; Qui croiroit que Pluton pût devenir amant ! Il demandoit à voir Proserpine un moment, Je crains qu il n ait trop veu ses charmes, Ce n est que par mes soins que Ceres peut sçavoir Si le dieu des enfers tient sa fille captive ; Il m est permis d aller sur l infernale rive Adieu, dans peu de temps j espere vous revoir. Alphée Pouvez-vous oublier qu il faut que je vous suive ? J ay sans cesse suivy vos pas Quand j excitois vostre colere Quand j ay cessé de vous déplaire Pourrois-je ne vous suivre pas ? Arethuse Du maistre des enfers je veux aller me plaindre, Craignez en me suivant d attirer son courroux. Alphée Pour moy rien n est tant à craindre Que d estre éloigné de vous. Que l absence de ce qu on aime Est un supplice rigoureux ! Pour les coeurs amoureux, Tout autre mal cede à ce mal extresme, Et l enfer mesme N a rien de plus affreux Que l absence de ce qu on aime. Alphée et Arethuse. Le bonheur est par tout où l amour est en paix, Ne nous quittons jamais. SCENE 3 Alphée, Arethuse, Crinise, troupes de nymphes et de dieux des bois. Tous Ensemble Ceres revient ! Ah qu elle peine ! Cachons-nous à ses yeux. Sa fille n est plus dans ces lieux ; Son esperance est vaine. Que luy pourrons-nous dire, ô dieux ! Ceres revient ; ah quelle peine ! Cachons-nous à ses yeux, (Les nymphes et les dieux des bois se cachent, Alphée et Arethuse descendent aux enfers, le Char volant de Ceres s arreste, et la déesse en descend.) SCENE 4 Ceres, seule. Je vais revoir ma fille, elle est dans ces campagnes Je viens d y voir les nymphes ses compagnes. Je vais goûter prés d elle un sort doux et charmant. Helas ! Qu un tendre amour accroît l empressement De la tendresse maternelle. Proserpine est pour moy le gage precieux De l amour du plus grand des dieux, C est Jupiter que j aime en elle. J ay rendu les humains heureux, Mes travaux ont comblé leurs voeux ; Il m est permis enfin d estre heureuse moy-mesme Apres avoir acquis un immortel honneur, Quand chacun par mes soins goûte un bonheur extresme Qu il m est doux de songer à mon propre bonheur. Les nymphes de ces lieux semblent fuir ma presence Proserpine ? Ma fille ? Ah quel triste silence ! Est-ce ainsi qu on devoit dans cet heureux séjour Se réjouir de mon retour ? Venez, nymphes, venez, que ma fille s avance. Venez, dieux des bois, venez-tous. SCENE 5 Ceres, Crinise, troupes de nymphes et de dieux des bois. Ceres Ma fille n est pas avec vous ! Quoy, donc, est-ce le soin que vous en deviez prendre ? Rendez-moy Proserpine. Au lieu de me la rendre, Vous m offrez seulement des soupirs et des pleurs ? Le Choeur O Ceres ! ô mere trop tendre ! Ah!quelles seront vos douleurs. Ceres Ciel ! On m oste ma fille ! Et qui l ose entreprendre ? Deux Nymphes Nous n avons pu l aprendre, Et l on a pris le temps que nous cüeillions des fleurs. Ceres J ay cru qu un doux repos devoit icy m attendre, Et je n y trouve, helas ! Que de cruels malheurs. Le Choeur O Ceres ! ô mere trop tendre ! Ah ! Quelles seront vos douleurs ! SCENE 6 Cyané, Ceres, Crinise, troupes de nymphes et de dieux champestres. Cyané Je ressens vos ennuis, et j en suis trop atteinte, Quoy qu il puisse arriver, vous allez tout sçavoir. Il faut que mon devoir L emporte sur ma crainte. Ceres Parle, ma chere cyané ; Soulage un coeur infortuné. Cyané J ay suivy Proserpine, et j ay pris sa deffense ! Helas tous mes efforts pour elle ont esté vains ! Son escharpe est entre mes mains... Ceres Ce cher et triste objet presse encore ma vangeance. Haste-toy de nommer l ennemy qui m offence. Cyané C est... C est... Ceres Achève. Cyané C est... Ceres et Le Choeur. Ah ! Quel malheur nouveau ! Cyané perd la voix et n est plus qu un ruisseau. SCENE 7 Ceres, Crinise, troupe de nymphes, et de dieux des bois. Ceres O malheureuse mere ! Le Choeur O trop malheureuse Ceres ! Ceres Les dieux n ont pu souffrir qu une nymphe sincere M ait découvert mes ennemis secrets. Je ne sçauray donc pas sur qui lancer les traits De ma juste colere ? On me ravit une fille si chere ! Jupiter dans les cieux sourd à mes vains regrets Ne ressent plus qu il est son pere ! O malheureuse mere ! Le Choeur O trop malheureuse Ceres ! Ceres Ah ! Quelle injustice cruelle ! O dieux pourquoy m arrachez-vous Un bien que je trouvois si doux ? De cette audace criminelle Est-ce Apollon ou Mars que je doy soupçonner ? Leurs meres en fureur n ont pu me pardonner D avoir une fille si belle. Dois-je accuser l Amour, et sert-il aujourd huy A me ravir un bien que je tenois de luy ? Trahiroit-il mon coeur fidelle ? Ah ! Quelle injustice cruelle ! O dieux ! Pourquoy m arrachez-vous Un bien que je trouvois si doux ? Par mes soins, les champs de Cybele De fruits, et de moissons viennent d estre couverts ; De mes dons precieux la richesse nouvelle Brille par mes travaux en cent climats divers, Et quand de tant de biens j ay comblé l univers, Les dieux percent mon coeur d une douleur mortelle. Ah ! Quelle injustice cruelle ! O dieux pourquoy m arrachez-vous Un bien que je trouvois si doux. Apres un si sensible outrage, Mon coeur desespéré s abandonne à la rage. Du monde trop heureux je veux troubler la paix Brulons, ravageons-tout, détruisons mes bien-faits. SCENE 8 Ceres, troupes de nymphes et de dieux champestres, troupe de suivants de Ceres, troupe de peuples de Sicile. (Les suivants de Ceres rompent les arbres et en prennent des branches et en font des flambeaux qu ils allument au feu qui sort du mont Etna. Ils en brulent les bleds, malgré les efforts et les cris des nymphes, des dieux champestres, et des peuples.) Ceres, tenant deux flambeaux allumés. Que tout se ressente De la fureur que je sens. Le choeur des dieux champestres et des peuples. Quel crime avons-nous fait ? Divinité puissante, Écoutez les clameurs des peuples gemissants. Ceres J ay fait du bien à tous, ma fille est innocente, Et pour toucher les dieux, nos cris sont impuissants ; J entendray sans pitié les cris des innocents Que tout se ressente De la fureur que je sens. Le Choeur Ah ! Quelle espouvantable flâme ! Ah ! Quel ravage affreux ! Ceres Portons par tout l horreur qui regne dans mon ame. Portons par tout d horribles feux. Le Choeur Ah ! Quelle espouvantable flâme ! Ah ! Quel ravage affreux ! Fin du troisième Acte. Lully,Jean-Baptiste/Proserpine/IV
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【Tags Darari Len Rerere-P tC tT H】 Original Music Title ヘタ恋歌 Timid Len s Love Song (HETA Renka / Heta Len Ka) Lyrics written by ダラリ(Darari) Music Lyrics written, Voice edited by れれれP(Rerere-P / Lelele-P) Music arranged by れれれP(Rerere-P / Lelele-P) Singer 鏡音レン (Kagamine Len) This song is included in 恋歌 (Renka) series by and Darari and Lelele-P. Click here for the Japanese Lyrics English Lyrics (translated by animeyay)： (Re-re-re ren-ren ri-ri-ra-rin ra-ri-ran) Although I am timid, I love singing very much. Although I am still immature, please, listen to me. But... I am nervous after all. Ah... Pressure... Ah again... Epic fail... Re-re-re is this joint responsibility? It s my fault, sorry... What to do? Re-re-re is my practice not sufficient? I ll try even harder... What to do? Sorry! (Re-re-re ren-ren ri-ri-ra-rin ra-ri-ran) Although I seem indifferent about love, it doesn t mean I m not interested. Although I m only at the stage of admiring, there is someone that s on my mind. But... I am nervous after all. Being alone with someone... if we suddenly face each other... Re-re-re advice on love? Am I okay with you? What to do? Re-re-re love is everyone s freedom, but still... You know... What to do? Sorry! But... I like you after all. If I gather up my courage... for sure... I can say it... Re-re-re since we are on a long break! With me... Um... Movie... How is it? Re-re-re I ll be waiting for your call! So... Um... You know... What to do? Re-re-re do you like me? I... Really like you... What to do? Re-re-re would you go out?! With me... What to do...? Sorry! (Re-re-re ren-ren ri-ri-ra-rin ra-ri-ran) [1] "Hetare" is a character trait that means "shy and indecisive jerk", this tag often fixed to the male character in a harem series or a dating sim. Romaji lyrics (transliterated by Hikarin)： (Re-re-re ren-ren ri-ri-ra-rin ra-ri-ran) Ki no yowai BOKU desu ga Utau koto wa daisuki na no desu Mada mada mijuku desu ga Douka kiite hoshii no desu Keredo... yappari kinchou shimasu Aaa... PURESSHAA... aa mata... daishippai... Re-re-re rentai sekinin desu kaa? BOKU no sei de SUMIMASEN... doushiyou Re-re-re renshuu tarinai desu kaa? BOKU motto ganbarimasu... doushiyou... SUMIMASEN! (Re-re-re ren-ren ri-ri-ra-rin ra-ri-ran) Koi ni utoi BOKU desu ga Kyoumi ga nai wake ja nai no desu Mada mada akogarete iru dake desu ga Doumo ki ni naru ko ga iru no desu Keredo... yappari DOKIDOKI shimasu Futarikiri de... konna ni... mukai attara... Re-re-re renka soudan desu kaa? BOKU de ii no deshou ka... doushiyou Re-re-re renka wa jiyuu desu gaa! Sore wa chotto... dou na no ka... doushiyou... SUMIMASEN! Keredo... yappari daisuki dakara Yuuki daseba... kanarazu... ieru hazu... Re-re-re renkyuu HIMA na no desu gaa! BOKU to... etto... eiga demo... dou deshou Re-re-re renraku matte masu karaa! Tsumari... etto... nan to iu ka... doushiyou Re-re-re renka taishou desu kaa? BOKU wa KIMI ga... daisuki de... doushiyou Re-re-re renka itashimasen ka!! BOKU to............ dou deshou...? SUMIMASEN! (Re-re-re ren-ren ri-ri-ra-rin ra-ri-ran) [Darari, Rerere-P, Lelele-P, RerereP, LeleleP]
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America in Space An Annotated Bibliography (Magill Bibliographies) Scarecrow Pr? Russell R. Tobias? ScarecrowPr? RussellR.Tobias? ジャンル別? Subjects-Children sBooks-Reference&Nonfiction? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Cycles in Humans and Nature An Annotated Bibliography (Magill Bibliographies) Scarecrow Pr? John T. Burns? ScarecrowPr? JohnT.Burns? ジャンル別? Subjects-Outdoors&Nature-Ecology-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Business? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-Nature&Ecology-General? 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Subjects-Science-Technology-General&Reference Popular Physics and Astronomy An Annotated Bibliography (Magill Bibliographies) Scarecrow Pr? Roger Smith? ScarecrowPr? RogerSmith? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-History? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Astronomy? Telecommuters, the Workforce of the Twenty-First Century An Annotated Bibliography Scarecrow Pr? Teri R. Switzer? ScarecrowPr? TeriR.Switzer? ジャンル別? Subjects-Business&Investing-Biographies&Primers-LaborPolicy? Subjects-Business&Investing-BusinessLife-Workplace? Subjects-Business&Investing-Economics-Labor&IndustrialRelations? Subjects-Business&Investing-General? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-Telecommuting? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Nonfiction-Economics-Labor&IndustrialRelations? Subjects-Professional&Technical-Accounting&Finance-Economics-Labor&IndustrialRelations? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Business? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-Technology-General&Reference Ladies in the Laboratory? American and British Women in Science, 1800-1900 A Survey of Their Contributions to Research Scarecrow Pr? Mary R. S. Creese? Thomas M. Creese? ScarecrowPr? MaryR.S.Creese? ThomasM.Creese? ジャンル別? Subjects-Biographies&Memoirs-Professionals&Academics-Scientists? Subjects-Biographies&Memoirs-SpecificGroups-Women? Subjects-History-Europe-England-General? Subjects-History-Europe-England-19thCentury? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Cosmic Influences on Humans, Animals, and Plants An Annotated Bibliography (Magill Bibliographies) Scarecrow Pr? John T. Burns? ScarecrowPr? JohnT.Burns? ジャンル別? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Religion&Spirituality-Occult-Astrology? Subjects-Science-General Subjects-Science-Physics-Biophysics? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-Extraterrestrial? Subjects-Science-Astronomy-Cosmology? Biographies of Scientists An Annotated Bibliography (Magill Bibliographies) Scarecrow Pr? Roger Smith? ScarecrowPr? RogerSmith? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference The Creation/Evolution Controversy An Annotated Bibliography (Magill Bibliographies) Scarecrow Pr? James L. Hayward? ScarecrowPr? JamesL.Hayward? ジャンル別? Subjects-Nonfiction-Philosophy-PhilosophyofReligion-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-ProfessionalScience-Evolution-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Religion? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-StudyGuides,History&Reference-Reference-Theology-General? Subjects-Religion&Spirituality-Christianity-Theology-Creationism? Subjects-Science-Evolution-General? Subjects-Science-Evolution-Organic? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Bibliographic Relationships in Music Catalogs Scarecrow Pr? Sherry L. Vellucci? ScarecrowPr? SherryL.Vellucci? ジャンル別? Subjects-Entertainment-Music-General? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-SocialSciences-Library&InformationScience-Cataloging? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Music? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference The Aerial Photo Sourcebook Scarecrow Pr? Mary Rose Collins? ScarecrowPr? MaryRoseCollins? ジャンル別? Subjects-Arts&Photography-Photography-General? Subjects-Arts&Photography-Photography-Reference? Subjects-Arts&Photography-Photography-How-to-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-Catalogs&Directories-Directories? Subjects-Science-Technology-General&Reference Scientific Communication in History Scarecrow Pr? Brian C. Vickery? ScarecrowPr? BrianC.Vickery? ジャンル別? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Biodiversity Studies A Bibliographic Review Scarecrow Pr? Charles H. Smith? ScarecrowPr? CharlesH.Smith? ジャンル別? Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Evolution-Genetics? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? History of Telecommunications Technology An Annotated Bibliography Scarecrow Pr? Christopher H. Sterling? George Shiers? ScarecrowPr? ChristopherH.Sterling? GeorgeShiers? ジャンル別? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-History? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Place Names How They Define the World and More Scarecrow Pr? Richard R. Randall? ScarecrowPr? RichardR.Randall? ジャンル別? Subjects-Nonfiction-Education-Reference-Atlases&Maps? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geography? Subjects-Reference-Atlases&Maps? Subjects-Science-EarthSciences-Geography-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Travel-Reference&Tips-Reference? Subjects-Travel-Atlases&Maps? Science and Technology Research Writing Strategies for Students Scarecrow Pr? Tina M. Neville? Deborah B. Henry? Bruce Neville? ScarecrowPr? TinaM.Neville? DeborahB.Henry? BruceNeville? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Research? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-Education-Reference-Words&Language-General? Subjects-Reference-Words&Language-General? Subjects-Reference-General? Subjects-Science-Education-ScienceforKids? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Science and Technology Research Writing Strategies for Students Scarecrow Pr? Tina M. Neville? Deborah B. Henry? Bruce Neville? ScarecrowPr? TinaM.Neville? DeborahB.Henry? BruceNeville? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Research? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-SocialSciences-Library&InformationScience-LibraryManagement? Subjects-Nonfiction-Education-Reference-Words&Language-General? Subjects-Reference-Words&Language-General? Subjects-Reference-General? Subjects-Science-Education-ScienceforKids? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Mortuary Science A Sourcebook Scarecrow Pr? John F. Szabo? ScarecrowPr? JohnF.Szabo? ジャンル別? Substores-UnknownASINs-21? Subjects-Science-General Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference How to Ensure Ed/Tech Is Not Oversold and Underused Scarecrow Pr? Larry Cuban? Arthur D. Sheekey? ScarecrowPr? LarryCuban? ArthurD.Sheekey? ジャンル別? Subjects-Computers&Internet-Home&Office-Internet-KidsandtheNet? Subjects-Nonfiction-Education-Technology&DistanceLearning-General? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-Administration-General? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-General? Subjects-Professional&Technical-Education-Pedagogy? Subjects-Science-General Subjects-Science-Technology-General&Reference Technology Law What Every Business (And Business-Minded Person) Needs to Know Scarecrow Pr? Mark Grossman? ScarecrowPr? MarkGrossman? ジャンル別? Subjects-Business&Investing-General? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-General? Subjects-Computers&Internet-Business&Culture-DigitalLaw? Subjects-Law-IntellectualProperty-Communications? Subjects-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Nonfiction-SocialSciences-Sociology? Subjects-Nonfiction-Law-IntellectualProperty-Communications? Subjects-Nonfiction-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Professional&Technical-Law-IntellectualProperty-Communications? Subjects-Science-Technology-General&Reference Ladies in the Laboratory II West European Women in Science, 1800-1900 A Survey of Their Contributions to Research Scarecrow Pr? Mary R. S. Creese? Thomas M. Creese? ScarecrowPr? MaryR.S.Creese? ThomasM.Creese? ジャンル別? Subjects-Biographies&Memoirs-Professionals&Academics-Scientists? Subjects-Biographies&Memoirs-SpecificGroups-Women? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference There May Be Trouble Ahead A Practical Guide To Effective Patent Asset Management Scarecrow Pr? Lex Van Wijk? Lex Van Wijk? ScarecrowPr? LexVanWijk? LexVanWijk? ジャンル別? Subjects-Business&Investing-General? Subjects-Science-Technology-General&Reference Henry Ford Museum An ABC of American Innovation Harry N Abrams? Wes Hardin? HarryNAbrams? WesHardin? ジャンル別? Subjects-Children sBooks-Baby-3-BasicConcepts-Alphabet? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-History&HistoricalFiction-General? Subjects-Children sBooks-History&HistoricalFiction-UnitedStates-Fiction-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Fiction? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? Museum of Science and Industry, Chicago Harry N Abrams? Jay Pridmore? HarryNAbrams? JayPridmore? ジャンル別? Substores-UnknownASINs-21? Subjects-Arts&Photography-Art-Museums&Collections-Museums-ExhibitionCatalogs? Subjects-Arts&Photography-Art-Museums&Collections-Museums-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Roadside America The Automobile and the American Dream Harry N Abrams? Lucinda Lewis? HarryNAbrams? LucindaLewis? ジャンル別? Subjects-Arts&Photography-Photography-Collections,Catalogues&Exhibitions? Subjects-Arts&Photography-Photography-Photographers,A-Z-General? Subjects-Arts&Photography-Photography-PhotoEssays? Subjects-Arts&Photography-Photography-Travel-UnitedStates-General? Subjects-Engineering-Automotive? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? Bicycles/Le Biciclette (Bella Cosa) Chronicle Books Fermo Galbiati? Nino Ciravegna? Cesare Gualdoni? ChronicleBooks? FermoGalbiati? NinoCiravegna? CesareGualdoni? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Outdoors&Nature-OutdoorRecreation-Cycling-BikeRepair? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Sports-IndividualSports-Cycling-BikeRepair? Do You Remember Technology Geeks, Gadgets and Gizmos Chronicle Books Michael Gitter? Sylvie Anapol? Erika Glazer? ChronicleBooks? MichaelGitter? SylvieAnapol? ErikaGlazer? ジャンル別? Subjects-Entertainment-PopCulture-General? Subjects-History-Americas-UnitedStates-20thCentury-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-PopularCulture? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Waffles Chronicle Books Betty Rosbottom? ChronicleBooks? BettyRosbottom? ジャンル別? Subjects-Cooking,Food&Wine-Baking-Bread? Subjects-Science-General Subjects-Science-Technology-General&Reference Fire (The Four Element Series) Barrons Educational Series Inc? Maria Rius? J. M. Parramon? BarronsEducationalSeriesInc? MariaRius? J.M.Parramon? ジャンル別? Substores-UnknownASINs-21? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-Technology-General&Reference Divided We Stand Redefining Politics, Technology and Social Choice Univ of Pennsylvania Pr? Michiel Schwarz? Michael Thompson? UnivofPennsylvaniaPr? MichielSchwarz? MichaelThompson? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-Technology-General&Reference The Potter's Dictionary of Materials and Techniques Univ of Pennsylvania Pr? Frank Hamer? Janet Hamer? UnivofPennsylvaniaPr? FrankHamer? JanetHamer? ジャンル別? Subjects-Arts&Photography-Art-Sculpture-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Pottery&Ceramics? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(British)? Subjects-Reference-Dictionaries&Thesauruses-English(British)? Subjects-Science-Technology-General&Reference Tomorrow Now Envisioning the Next 50 Years Random House Inc (P)? Bruce Sterling? RandomHouseInc(P)? BruceSterling? ジャンル別? Substores-UnknownASINs-21? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-Technology-Futurology? Subjects-Science-Technology-General&Reference Chicago's White City of 1893 University Press of Kentucky? David F. Burg? UniversityPressofKentucky? DavidF.Burg? ジャンル別? Subjects-Science-Technology-General&Reference The Politics of Miseducation The Booker Washington Institute of Liberia, 1929-1984 Univ Pr of Kentucky? Donald Spivey? UnivProfKentucky? DonaldSpivey? ジャンル別? Substores-UnknownASINs-21? Subjects-Nonfiction-Education? Subjects-Science-Technology-General&Reference Farm Families and Change in Twentieth-Century America Univ Pr of Kentucky? Mark Friedberger? UnivProfKentucky? MarkFriedberger? ジャンル別? Subjects-Business&Investing-Economics-Agricultural? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Rural? Subjects-Nonfiction-Economics-Agricultural? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-Economics? World Guide to Terminological Activities Organizations, Commissions, Terminology Banks (Infoterm Series, Vol 4) K G Saur Verlag Gmbh & Co? Magdalena Krommer-Benz? KGSaurVerlagGmbh&Co? MagdalenaKrommer-Benz? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Substores-UnknownASINs-66? Subjects-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Reference-Writing-Technical? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnicalThinking&Writing? Healing Appalachia Sustainable Living Through Appropriate Technology Univ Pr of Kentucky? Al Fritsch? Paul Gallimore? UnivProfKentucky? AlFritsch? PaulGallimore? ジャンル別? Subjects-Home&Garden-HomeDesign-General? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Conservation-Environmentalism? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SustainableAgriculture? Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-SustainableAgriculture? Healing Appalachia Sustainable Living Through Appropriate Technology Univ Pr of Kentucky? Al Fritsch? Paul Gallimore? UnivProfKentucky? AlFritsch? PaulGallimore? ジャンル別? Subjects-Home&Garden-HomeDesign-General? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Conservation-Environmentalism? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SustainableAgriculture? Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-SustainableAgriculture? Science and Technology Indicators for Development (Un Sci. Tech. for Development Series) Westview Pr (Short Disc)? Hiroko Morita-Lou? WestviewPr(ShortDisc)? HirokoMorita-Lou? ジャンル別? Substores-UnknownASINs-21? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Science, Technology, and Politics Policy Analysis in Congress Westview Pr (Short Disc)? Gary C. Bryner? WestviewPr(ShortDisc)? GaryC.Bryner? ジャンル別? Substores-UnknownASINs-21? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-SocialSciences-PoliticalScience-SystemsOfGovernment? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&PublicPolicy? Mastering the Machine Poverty, Aid and Technology Westview Pr (Short Disc)? Ian Smillie? WestviewPr(ShortDisc)? IanSmillie? ジャンル別? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-Poverty? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Mastering the Machine Westview Pr (Short Disc)? Ian Smillie? WestviewPr(ShortDisc)? IanSmillie? ジャンル別? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-Poverty? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-Technology-General&Reference Agroecology The Science of Sustainable Agriculture Perseus Books (Sd)? Miguel A. Altieri? PerseusBooks(Sd)? MiguelA.Altieri? ジャンル別? Subjects-Business&Investing-Industries&Professions-General? Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-General? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-General? The Military in New Times Adapting Armed Forces to a Turbulent World Westview Pr (Short Disc)? James Burk? WestviewPr(ShortDisc)? JamesBurk? ジャンル別? Substores-UnknownASINs-21? Subjects-History-Military-General? Subjects-History-MilitaryScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technical Fouls Democratic Delemmas and Technological Change (Interventions--Theory and Contemporary Politics) Westview Pr (Short Disc)? John Kurt Jacobsen? WestviewPr(ShortDisc)? JohnKurtJacobsen? ジャンル別? Subjects-Computers&Internet-Business&Culture-FutureofComputing? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-History&Theory? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Government-Democracy? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書